Cinematic Howling Women's Films, Women's Film Theories
- Publisher: University of British Columbia Press
- Publish date: 02/28/2008
Description:
Acknowledgments 1 Feminist Film Theory and the Postfeminist Era: Disney'sMulan 2 Howling for Multitudes: Angela Carter's The Company ofWolves 3 The Female Authorial Voice: Marguerite Duras' Hiroshimamon amour 4 Beyond Freud and Lacan: Susan Streitfeld's FemalePerversions 5 Cathartic Meta-narrative: La Pool's Lost andDelirious and Barbara Sweet's Perfect Pie (TwoScripts by Judith Thompson) 6 Diasporic Imagination and Transcultural Identity: Clara Law'sThe Goddess of 1967 7 Representing Representation: Agns Varda's Sans toit niloi (Vagabond) 8 From Text to Context: Metadocumentary and Skyworks 9 Filling the Theory Vacuum: Marleen Gorris'Antonia Notes Bibliography Index
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